 |
|
|
|
|
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|
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| |
3/5 |
|
(2008) |
|
"can't decide how irreverent it wants to be, and settles for a neither-here-nor-there attitude that, luckily, scores with a few genuine laughs"
[movie review] |
|
Jaman.com Jaman |
|
|
|
|
| |
2.5/5 |
|
(2008) |
|
"A tender cross-cultural love story that nearly founders under the weight of contrived polemics and Mideast politics"
[movie review] |
|
Jaman.com Jaman |
|
|
|
|
| |
3.5/5 |
|
(2008) |
|
"an impressive cross-cultural achievement for director-cinematographer Sivan"
[movie review] |
|
Jaman.com Jaman |
|
|
|
|
| |
4/5 |
|
(2008) |
|
"an expertly witty, often hilarious gorefest"
[movie review] |
|
Jaman.com Jaman |
|
|
|
|
| |
3/5 |
|
(2008) |
|
"Let the Right One In wasn't my favorite movie at Tribeca 2008, but it's definitely the one that's stuck with me"
[movie review] |
|
Jaman.com Jaman |
|
|
|
|
| |
3.5/5 |
|
(2008) |
|
"Brilliantly atmospheric, beautifully and lyrically made, Late Fragment might've been a strong movie even without the interactive element."
[movie review] |
|
Jaman.com Jaman |
|
|
|
|
| |
4/5 |
|
(2008) |
|
"beautifully shot, and shrewdly edited for maximum emotional impact"
[movie review] |
|
Jaman.com Jaman |
|
|
|
|
| |
4/5 |
|
(2008) |
|
"a rare and illuminating look at life on a Bollywood movie set"
[movie review] |
|
Jaman.com Jaman |
|
|
|
|
| |
2.5/5 |
|
(2008) |
|
"[a]neatly made but, ultimately, tepid high-school election documentary"
[movie review] |
|
Jaman.com Jaman |
|
|
|
|
| |
4/5 |
|
(2008) |
|
"fabulous"
[movie review] |
|
Jaman.com Jaman |
|
|
|
|
| |
1.5/5 |
|
(2008) |
|
"A clumsy, witless, tedious trudge."
[movie review] |
|
Jaman.com Jaman |
|
|
|
|
| |
3/5 |
|
(2008) |
|
"a reasonably enjoyable, and very twisted romantic comedy"
[movie review] |
|
Jaman.com Jaman |
|
|
|
|
| |
2.5/5 |
|
(2008) |
|
"[a] thoroughly safe, slow-footed comedy"
[movie review] |
|
Jaman.com Jaman |
|
|
|
|
| |
3.5/4 |
|
(2007) |
|
"one of the year's most pleasing films, intelligently written and directed, and featuring a veteran actor giving the performance of his career"
[movie review] |
|
Perihelion Journal |
|
|
|
|
| |
3.5/4 |
|
(2007) |
|
"the style feels utterly organic...rigorous yet unforced, always giving the sense that this is not only the best way, but the only way, to tell this particular story."
[movie review] |
|
Perihelion Journal |
|
|
|
|
| |
3.5/4 |
|
(2007) |
|
"[Page] plays each moment without ego and with total candor, and that's ultimately the secret to Juno's success."
[movie review] |
|
Perihelion Journal |
|
|
|
|
| |
3/5 |
|
(2007) |
|
"entertaining, and that's about the extent of it."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(2007) |
|
"a fascinating portrait of an underrepresented people, rich in humor, pathos and possible permutations"
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
|
|
(2007) |
|
"An impressive achievement, one that combines terrific performances with a lovely storytelling style and themes and characters that actually matter."
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
2/5 |
|
(2007) |
|
"Awake manages a weak pulse for a time but dies ultimately in its makers' hands."
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
|
|
(2007) |
|
"Offensive to all and on every level, Badland tops the landfill of this year's worst."
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
2/5 |
|
(2007) |
|
"Parmar scores pleasant performances across the board...Yet the story is bland, like it's been over-workshopped in a screenwriting class, too polite and too smooth around the edges."
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
1.5/5 |
|
(2007) |
|
"If you detect anything fresh or original in terms of character or story development, you're probably not watching this movie."
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
2.5/5 |
|
(2007) |
|
"amusingly off-kilter"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
2.5/5 |
|
(2007) |
|
"a strictly middle-of-the-road entry in the slasher genre, scoring points for performances and areas of execution but running out of creative juice far too early, settling for stock chills and thrills"
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
2/5 |
|
(2007) |
|
"If Park aspired to any real insights or to any ambition beyond the routine, its hysterics would be worth sitting through."
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
1.5/5 |
|
(2007) |
|
"trades in platitudes and cliches, for lack of anything distinctive or bold to say"
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
2/5 |
|
(1992) |
|
"misguided and ludicrous"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
4/5 |
|
(1984) |
|
"the American Dream inverted, that its characters are carefree is a by-product not of sharing in the Dream, but of dealing with life on the margins."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3.5/5 |
|
(2007) |
|
"After the Katrina tragedy, the filmmaker's fears are both well-grounded and keenly realized."
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
3.5/4 |
|
(2007) |
|
"a satisfying conclusion...to this intelligent series"
[movie review] |
|
Perihelion Journal |
|
|
|
|
| |
3/4 |
|
(2007) |
|
"though Homer himself chastises us, near the start of the movie, for paying for something we can watch on TV for free, I consider the money I put down my contribution to Groening's good cause."
[movie review] |
|
Perihelion Journal |
|
|
|
|
| |
2/4 |
|
(2007) |
|
"an exercise in patience and loyalty to have to sit through, at least for fans of the past two films"
[movie review] |
|
Perihelion Journal |
|
|
|
|
| |
2.5/4 |
|
(2007) |
|
"Fred Flintstone in the land of the Jetsons"
[movie review] |
|
Perihelion Journal |
|
|
|
|
| |
1.5/5 |
|
(2007) |
|
"Growing up has never felt so god-awful tedious."
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
3.5/5 |
|
(2007) |
|
"often great, and in all the ways that Herzog's cinema can be great"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3.5/4 |
|
(2004) |
|
"Just short of dropping you into the ocean with a surfboard, Riding Giants serves as the definitive (and immersive) guide to the essence of all that is surfing."
[movie review] |
|
Perihelion Journal |
|
|
|
|
| |
2/5 |
|
(2007) |
|
"Doesn't register more than halfway up the comedy meter."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3/4 |
|
(2007) |
|
"deft and stylish"
[movie review] |
|
Perihelion Journal |
|
|
|
|
| |
4/5 |
|
(2007) |
|
"Golden Door resounds with moments of pure cinema seldom encountered anymore, where sound and image combine to create a lyricism that transcends the story"
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
2/5 |
|
(2007) |
|
"von Trier is just too self-absorbed a filmmaker, too much "the boss of it all" to allow for anything as anarchic and joyful as a screwball comedy to bloom from this material"
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
1/5 |
|
(2007) |
|
"A staggering miscalculation."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3.5/5 |
|
(1985) |
|
"Twenty-two years later, I get all the jokes, but I remain only pleasantly amused, nothing more, nothing less"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
2/5 |
|
(2007) |
|
"Though the oblique and confused storytelling saps the heat out of Wind Chill, the picture still boasts a game performance from Emily Blunt"
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
1/5 |
|
(2007) |
|
"Ineptly written by Arquette and Joe Harris, The Tripper is a carnival of cretins doing and saying one ass-headed thing after another."
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
4/5 |
|
(2005) |
|
"At once natural and designed, funny and sad, Dresen's story approximates the capriciousness of life itself, and that may be the highest praise any work of art could ask for."
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
3.5/5 |
|
(2007) |
|
"The Hoax pulls a good con, and we play along, delightedly."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
1/5 |
|
(2007) |
|
"While clocking in at a relatively painless 75 minutes, Brown fails to come up with anything so fresh and bold in his approach as to make a single one of those worth watching."
[movie review] |
|
Boxoffice Magazine |
|
|
|
|
| |
2.5/5 |
|
(2007) |
|
"a playground for madman Malkovich to be set loose in."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
2.5/5 |
|
(2007) |
|
"I hereby declare a moratorium on any such filmmakers entering India in hopes of preventing any further culturally condescending journeys into the white man's heart of darkness."
[movie review] |
|
Filmcritic.com |
|
|
