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Sources
• Film-Forward.com
• School Library Journal
Total Reviews: 436
Kent Turner
Kent Turner
Kent Turner

NEWS & FEATURES
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1.5/5
     (2009)      "If you're going to be the poster man/child of any disability, you'd want to look like Hugh Dancy." [movie review]      Film-Forward.com   
  
3/5
     (2009)      "[Director] Campos certainly demands your attention, and has it for most of the film." [movie review]      Film-Forward.com   
  
2.5/5
     (2009)      "Claude Chabrol's disappointing tribute to Georges Simenon and Agatha Christie ... is a pale follow-up to his baroque A Girl Cut in Two." [movie review]      Film-Forward.com   
  
2.25/5
     (2009)      "If ever there was a role to be cast based solely on looks, it's Colette's Chéri." [movie review]      Film-Forward.com   
  
2.5/5
     (2009)      "The movie avoids the darker aspects of the vampire myth, and like the books, it's more into horror than hormones." [movie review]      Film-Forward.com   
  
3.5/5
     (2009)      "Because Selick remains true to the novel's spirit, the film rises far above being a mere novelty." [movie review]      Film-Forward.com   
  
3/5
     (2009)      "Count on the first tear to fall by the 55-minute mark." [movie review]      Film-Forward.com   
  
3.5/5
     (2009)      "An infectiously upbeat menagerie" [movie review]      School Library Journal   
  
1.5/5
     (2009)      "If a man had directed The Girl from Monaco, this erstwhile comedy would be labeled misogynistic -- a charge that would stick." [movie review]      Film-Forward.com   
  
4/5
     (2009)      "Téchiné's unsettling The Girl on the Train is his best film in years and already one of 2009's highlights, freely inspired by a sensational real-life media furor." [movie review]      Film-Forward.com   
  
3/5
     (2009)      "Guest's focus on Sherman and her work is [the film's] strength, providing an in-depth and revealing glimpse of one of the most celebrated artists in the world," [movie review]      Film-Forward.com   
  
3.5/5
     (2009)      "Lucid and startling" [movie review]      Film-Forward.com   
  
2.5/5
     (2009)      "It may be true that every generation deserves its droll slacker comedy. But every five years?" [movie review]      Film-Forward.com   
  
3/5
     (2009)      "The film takes flight when the story is grounded in the world of Hogwarts." [movie review]      School Library Journal   
  
2.75/5
     (2009)      "The film goes to the dogs. They don't steal the scenes, they are the scenes. They bring so much personality that it's hard for any of the actors to compete, even the kids." [movie review]      School Library Journal   
  
3/5
     (2009)      "Can director Lynn Shelton sustain enough interest building up to the will-they-or-won't-they resolution? Yes, thanks single-handedly to the cast." [movie review]      Film-Forward.com   
  
2.75/5
     (2009)      "The simpler the details the better" [movie review]      Film-Forward.com   
  
2/5
     (2009)      "Similar to the movie adaptation of Philip Pullman's The Golden Compass (Knopf, 1996), the filmmakers shoehorn most of the book's plot into a small amount of time, leaving little room for character development or nuanced acting." [movie review]      Film-Forward.com   
  
3/5
     (2009)      "A brisk, irreverent music-history lesson by way of Terry Gilliam." [movie review]      Film-Forward.com   
  
3/5
     (2009)      "Lorna's Silence is one of the few films in current release which left me wanting more." [movie review]      Film-Forward.com   
  
3/5
     (2009)      "In its funniest moments, the film displays the delicate timing of the best silent comedies." [movie review]      Film-Forward.com   
  
3.5/5
     (2009)      "A charmer that's a sleeper in the making" [movie review]      Film-Forward.com   
  
2.75/5
     (2009)      "Ah, to be middle aged, footloose, and fancy free!" [movie review]      Film-Forward.com   
  
3/5
     (2009)      "This is gotcha journalism at its most insistent." [movie review]      Film-Forward.com   
  
2.5/5
     (2009)      "Quiet Chaos jerkily shifts tones, from oddly comic ... to blunt. And by blunt I mean an indiscreet, in-your-face sex scene that turns the viewer from observer to pervy voyeur." [movie review]      Film-Forward.com   
  
2/5
     (2009)      "More Cavalleria Rusticana than Gomorra." [movie review]      Film-Forward.com   
  
3/5
     (2009)      "This modest but amicable tale has more depth and more spirit than many films twice its length." [movie review]      Film-Forward.com   
  
3.5/5
     (2009)      "The story is so well told that the symbolism supports rather than sustains the plot." [movie review]      Film-Forward.com   
  
2/5
     (2009)      "Despite the hothouse atmosphere or the backstage tantrums and a suicide attempt, [director] Rodrigues lowers the temperature with his slow, steady camera for a flabby 138 minutes." [movie review]      Film-Forward.com   
  
3.5/5
     (2009)      "It lives up to the expectations implied by its title: acutely observed Ozu-inspired domestic drama, beautiful composed yet unfussy shots, and emotional restraint." [movie review]      Film-Forward.com   
  
3/5
     (2009)      "For actor Alfredo Castro's sinister steely stare alone, Tony Manero memorably stands out weeks after its screening." [movie review]      Film-Forward.com   
  
2/5
     (2009)      "Edward is still a walking mannequin, and his emotional range is so limited that the connection between Bella and Edward seems strained and at crucial times unconvincing." [movie review]      School Library Journal   
  
2.5/5
     (2009)      "Awash with celebrity, the documentary is a rubbernecker's delight." [movie review]      Film-Forward.com   
  
3/5
     (2009)      "The film has a train-wreck fascination about it." [movie review]      Film-Forward.com   
  
3/5
     (2009)      "Without a smirk, the film stands out from the many pop-culture-laden, wisecracking studio franchises." [movie review]      School Library Journal   
  
3.5/5
     (2009)      "Andersson's tableaus of the everyday are full of feeling, especially from the women (probably after a drink or two)." [movie review]      Film-Forward.com   
  
3.75/5
     (2008)      "But one lingering question remains %u2013 why would anyone want to see this, besides film buffs wanting to see last year's Palm d'Or winner?" [movie review]      Film-Forward.com   
  
1/5
     (2008)      "Much of the humor is cruel, not playful. (Lubricant replaced with glue? Try imagining that without clinching.)" [movie review]      Film-Forward.com   
  
3.5/5
     (2008)      "Lead Mathieu Bulle, an actual agricultural student, stands out among the cast of nonprofessional actors and is completely accessible -- well, as much as an emotionally guarded teenage boy can be." [movie review]      Film-Forward.com   
  
3.5/5
     (2008)      "Any A- or B- list actress would jump at the chance to work with the [screenwriters]." [movie review]      Film-Forward.com   
  
2/5
     (2008)      "With verbose and eloquent characters (let alone the fog of cigarette smoke), Before I Forget won't easily shake off the label of a "French film," and all that that implies." [movie review]      Film-Forward.com   
  
3/5
     (2008)      "The Manchester-set drama could be labeled as kitchen sink, but Crowley breaks free from that label." [movie review]      Film-Forward.com   
  
3/5
     (2008)      "Sophisticated and involving, The Boy in the Striped Pajamas offers a fuller picture of the period [than the book] and a stunner of a conclusion." [movie review]      School Library Journal   
  
1.5/5
     (2008)      "The sudden shock in tone may have another different and unintended effect than the director intended, relief that finally something has happened." [movie review]      Film-Forward.com   
  
3/5
     (2008)      "The emphasis on the brotherhood of the ragtag rebels wouldn't be out of place in a 1940s war film" [movie review]      Film-Forward.com   
  
3.5/5
     (2008)      "The family's vulnerabilities and eccentricities burrow under the skin." [movie review]      Film-Forward.com   
  
2/5
     (2008)      "Most adults will find Prince Caspian tedious, but young viewers are likely to be mildly diverted, rather than actually swept up by the story." [movie review]      Film-Forward.com   
  
2.5/5
     (2008)      "Saoirse Ronan brings a preternatural maturity to this starring role, but, most importantly, a sense of urgency, which is largely missing from much of the big-name cast." [movie review]      School Library Journal   
  
3/5
     (2008)      "What will rouse empathy and exasperation, though, is one teacher's attempt to act more like a colleague or mentor than an intimidating white male authority figure%u2014a teacher a student can call un ami." [movie review]      Film-Forward.com   
  
2.75/5
     (2008)      "One way to look at this movie is as an elegantly acted, art-house woman's picture." [movie review]      Film-Forward.com   
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